![]() These services are usually where the issue lies. Creators rarely sell their own work directly to consumers, they go through these ‘middlemen’ so they can reach as many consumers as possible. I focus on these services because these are who consumers usually deal with. ![]() It’s about the Netflix’s and the Spotify’s that stream art, or the film studios and record labels that license, distribute, or legalize every creation. ![]() It’s about the services that provide consumers access to the creators. They all center around one key component, the services. Honestly there are a lot of answers to this question. They also blend in with modern entertainment consumers, because even the best consumers don’t legally acquire everything. They don’t sail the seas, they sail the web. Instead of thieves stealing treasure from ships, they’re stealing content from entertainment producers. Modern day pirates will download or buy illegal copies of movies, music, and television. It used to be hard to think of pirates outside of swashbuckling scoundrels sending ships down to the abyssal depths of Davy Jones locker. This may be the most controversial topic I talk about for a while. Welcome to Animated Monologues, I am AniMo, and I’m finally talking about piracy in show business. Consumers of every media and medium are becoming more aware of this. Even if the entertainment industry makes more money than ever, individual creators will never see that cash. #WHERE TO FIND MY ANIME STUDIO 9 LICENSE KEY TV#The plight of the artist, whether they’re making TV or films, creating music, or animating a world, is tougher than ever before. It’s 2019! More amazing art is being created and distributed than ever before. ![]()
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